Book Review: Lincoln: A President for the Ages

Lincoln: A President for the Ages, edited by Karl Weber (Public Affairs, 2012), paperback, 288 pages

In commenting upon Steven Spielberg's great film, Lincoln, many have noted its shrewd juxtaposition of Lincoln's approach to politics compared to the gridlock that is the hallmark of today's federal government.  By focusing on the Congressional passage of the 13th Amendment outlawing slavery, the movie portrays the 16th president pursuing a just cause -- in this case, the end of slavery -- through the imperfect and morally ambiguous tools of politics.  Conventional wisdom compares this to the current pattern of Washington DC, where any attempt to do something significant invariably devolves into petty finger-pointing and to dueling talking points in the press.

A companion to the film, Lincoln: A President for the Ages, produced by Participant Media and featuring a picture of actor Daniel Day-Lewis as Lincoln on the cover, has found an intriguing way to match this aspect of Spielberg's movie.  After introductory essays more closely tied to the film, its characters, and its themes, several Lincoln scholars are asked to consider how Lincoln might have faced subsequent challenges in American history.

Frequently, counter-factual history involves flights of fancy that veer towards the ridiculous.  Here, though, significant historians who have experience writing about Lincoln and his era offer speculations rooted in the 19th Century context of Lincoln's decisions and actions.  Three scholars consider Lincoln and the World War II era: Daniel Farber on executive power, James Takkach on the Hiroshima bomb, and Allen Guelzo on the end of the war.  Jean Baker explores Lincoln and women's suffrage, while Frank Williams imagines how Lincoln might approach the war on terror.  Two others consider Lincoln as public speaker and writer in today's media climate: Douglas Wilson on how Lincoln might shape public opinion with television and the Internet and Richard Carwardine on the specific issue of religious rhetoric.  And the ubiquitous Harold Holzer concludes the book with a look at Lincoln and the culture of celebrity.

By and large, each of these essays is strong and most take a similar approach.  After introducing their chosen anachronistic issue, the historians plumb the Lincoln record, describing how Lincoln approached similar issues in his own time, such as the development of military technology or Lincoln's calculated shaping of his public image.  This analysis is followed by consideration of how Lincoln might have reacted to those later issues.  Surprisingly, the most gingerly argument is made by Baker, who concludes that Lincoln could barely imagine women having the right to vote -- an issue one might reasonably assume Lincoln must actually have considered at some point in his life, as opposed to dropping an atomic bomb or dealing with television.

The opening chapters cover more expected ground in a movie companion-book.  The book's editor, Karl Weber, contributes an essay, "The Faces of Lincoln," which chronicles the physical portrayal of Lincoln in photographs during his lifetime and in other art forms, including movies, in the generations thereafter.  The actress Gloria Reuben, who portrays Mary Lincoln's confidant Elizabeth Keckley in Spielberg's movie, writes of her research and the process, and the deep emotion, of bringing the former slave turned businessswoman to the screen.  And, as the abolition of slavery is the central drama of the movie, it is appropriate that Henry Lewis Gates contributs an essay evaluating Lincoln and his approach to slavery and race relations; Gates has spent recent years considering this issue and his scholarship, along with his judicious approach, shine in the book's most sophisticated contribution.

Overall, the essays are interesting and informative.  The one exception is an interview with Andrew Ferguson, author of the highly enjoyable, Land of Lincoln, which considers the pervasive Lincoln in modern American culture.  Partially, this is due to the form: next to the other carefully crafted essays, the question and response format seems haphazard; mostly, though, it is due to Ferguson not offering much of interest in his answers.  Still, this is hardly reason to ignore the otherwise strong collection assembled here.

TV Review: "Looking for Lincoln" (PBS)

Toward the end of Henry Louis Gates Jr.'s excellent exploration "Looking for Lincoln," the African-American scholar admits that his examination of Abraham Lincoln had challenged his cherished image of The Great Emancipator. "It's been deeply disappointing to me to learn that Lincoln came to emancipation slowly," Gates laments, "and that he questioned even the basic assumption of the equality of the races."

Then he sits with noted Lincoln biographer Doris Kearns Goodwin, evidently a personal friend (likely given that both historians live in Boston), and has a remarkable exchange with her reflecting on how troubling it was to discover Lincoln's prejudicial attitudes toward race, even as he praises Lincoln's political skill in his actions involving emancipation and racial issues, because of his status within the African-American community as the white man who made civil rights possible.

"Do you know what's so interesting, Skip, in listening to you talk? The problem is not your understanding of what was possible for Lincoln; the problem is the infatuation, the myth, that Lincoln was presented in the first place to you," Goodwin says, getting emotional. "It's not Lincoln's fault that he got mythologized...And I think to just bring him down now to the human being, with his strengths and his weaknesses -- if you could feel that as well as you're saying it, I think you would feel more empathy for him."

"No, but you're right," Gates responds, "it's clear that I don't feel it. I can think it, I can understand it--"

"Exactly," Goodwin affirms over him, "that's what I'm feeling," and suddenly stopping to let him continue, can't finish her thought -- that's what I'm feeling you're feeling.

In the middle of a documentary attempting to detect the historical facts about Lincoln, a discussion about feelings between two historians who are obviously emotionally involved in their study of the sixteenth president. More than that, though, this extraordinary exchange represents the crux of the Lincoln myth -- Americans are as emotionally attached to the iconic Abraham Lincoln as they are intellectual attached, if not more so.

Though I am not an African-American, I know Gates' disappointment with Lincoln firsthand, having gone through my own de-mythologizing of Lincoln several years ago. For a couple of years, I didn't like the man who I discovered was not an idealist but always a practical politician. Worse, he was a rather ruthless partisan hack in his early days, and those skills never faded away, even though his attitude did. (Eventually, I gained a great appreciation for how Lincoln ultimately used his political skills.)

"Looking for Lincoln," a PBS production, is less a documentary than a two-hour visual essay by Gates, a Harvard professor of African-American Studies. Gates intercuts his cross-country travels looking for Lincoln the icon with a mostly chronological presentation of the historical Lincoln. The film moves a good clip, though it never feels rushed, covering lots of ground; Gates interviews a dozen scholars, two former presidents, and others. He visits with Lincoln presenters (people who dress up like Lincoln), and descendants of Confederate veterans who strongly dislike Lincoln. He walks the Gettysburg battlefield, visits the Soldier's Home where Lincoln probably wrote the Emancipation Proclamation. He sits in on a high school discussion about Lincoln in Chicago.

Along the way, Gates struggles to present the personal complexity of Abraham Lincoln, as opposed to the marble icon of the Lincoln Memorial. Most often he focuses on the complexity of Lincoln's racial views, which is understandable given his other research on race in the United States.

The film is a great success, owing to Gates unstinting honesty and his skills as both a historian and a storyteller. Most people will learn a lot about Lincoln and will be forced to think directly about how Lincoln the man relates to Lincoln the myth. If the film has any flaw, it is that Gates' conclusion is a bit underwhelming, but the strength of the film makes up for that.

"Looking for Lincoln" premiered on PBS on Wednesday, February 11, 2009.

New Lincoln Books This Week

While most of the high-profile books hoping to cash in on the Lincoln bicentennial have been released steadily over the past few weeks, there are still two significant new offerings this week. Both published from university presses, one is yet another companion book to a Lincoln exhibit and the other is a new volume on Lincoln and slavery.

Releasing on February 10

The Tsar and the President: Alexander II and Abraham Lincoln: Liberator and Emancipator edited by Marilyn Pfeifer Swezey (University of Wisconsin Press, 2009, paperback, 112 pages)

This book is a companion to a traveling exposition, "The Tsar and the President," which premiered last year at The Oshkosh Public Museum and currently is on display at the Kansas City Union Station Museum. The display attempts to compare the life of the two great liberators of the mid-19th Century, Tsar Alexander II of Russia, who outlawed serfdom in 1861, and President Abraham Lincoln of the United States, who famously signed the Emancipation Proclamation January 1, 1863 and worked to ensure the passage of the 13th Amendment.

The two men were very different. Alexander was well educated; Lincoln received little formal education. Alexander was raised in the elite, ruling class; Lincoln grew up poor and scraped his way into relative financial comfort. Both, interestingly, were assassinated: Lincoln in 1865 and Alexander in 1881. But they are both remembered most for their emancipation decisions.

This is an intriguing comparison, if only because it rightly suggests that the slavery issue was not unique to the United States. Indeed, in ways that have probably deserve more significant study, abolitionism was an international movement; it might be easy to exaggerate its influence, but it is important to understand that the conflict over slavery/serfdom was not only an internal issue in either the US or Russia.

Lincoln on Race and Slavery edited by Henry Louis Gates, Jr., and Donald Yacovone (Princeton University Press, 2009, hardcover, 408 pages)

This book presents Lincoln's own words on race and slavery, offered during his life in speeches and letters. Bringing together seventy pieces that Lincoln wrote during his lifetime -- from his protest as an Illinois legislator against slavery in 1837 to his final public address on three days before his assassination in 1865 -- the book offers an introduction for each selection in addition to a general introduction by Gates.

This collection seems to mostly repackage material available in many other Lincoln anthologies. However, for someone particularly interested in this subject, the editorial context offered by the noted African-American scholar Henry Louis Gates might make this book worth owning.